Writing Tool: Synonyms for ‘Said’

English is an amazingly rich language. There are synonyms for anything and everything out there. Writing prose in this language is a beautiful thing because there are countless options to describe the same thing.

Over the years, I have assembled many synonyms for the word ‘said’. Using them has improved my dialogue greatly. Personally, I even avoid the word ‘said’ itself. Instead I use one from the list instead.

NOTE: If you have any to add, please leave them in the comments so I can enrich my own list.













































































































































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8 Things Non-Writers Don’t Understand

“Writing is a weird hobby.”

Tristin R. F. Worth (2017)

Let’s start by saying that I am not super popular. Sure I get along with other people and I’d like to think I am very friendly and helpful but I do not let people beyond arm’s length often. Because of this, I only have three very good friends in real life. Online I have a few more. What these select few all know about me is my love of cats and my love of a strange activity known as writing.

Writing is a strange and tedious hobby. For those of you who are familiar with the act, you might understand. It is a battle with yourself, your creativity and with your characters. Writing is hard work and sometimes I just don’t want to do it. Often times I can’t even come up with words to describe the color blue. Sometimes my characters just make decisions of their own. They can be stubborn little trolls.

Much of what writing is does not make sense to those who don’t take on the challenge. Here are 8 things non-writers don’t understand.

  1. Writing is hard work

When you sit yourself down at your computer (or notebook, I did that back when) the words don’t always flow. Sometimes you have to force them onto the page; delving into the deepest part of your soul to find any. Even then, they might sound nonsensical, crude or inappropriate. The act of writing is hard. Good writing is even harder.

  1. Wanting to write and not wanting to write

If this was Instragram, I would add a #struggle here. There truly can be an internal war between wanting to write and not wanting to write. Despite the tediousness of it all, writing can be very fun and pleasant to do. At the same time, it can be terrifying and a grand challenge. Sometimes stories end up in a corner and we have to get ourselves out. Perhaps we have a difficult piece of dialogue to write and it is not our strong suit (I am terrified of dialogue) or there is an epic plot twist coming that you don’t want to mess up.

  1. Writing is continuous

Even while away from the keyboard, the stories I am working on revolve around in my head in a nonstop motion. New plots and character traits spring up often that I  note down to put into my story along the way. I imagine scenes that have passed, scenes yet to come and scenes I could touch up in certain way. They are vividly in my mind and are on constant replay like a movie. Though I am not always consciously concerned with the stories, they are always looming. I never forget abouot them and so the process of expanding these stories is continuous.

  1. The ups and downs in self confidence

I dearly hope I am not the only one subject to this. Some days I have a lot of confidence (in my writing, that is) and feel like I can do fine and can write fairly well. Other days, I want to throw it all away and quit forever. This is not an exaggeration. Whether this comes from comparing myself to authors out there or whether it is a result of days when I just don’t know how to even make a simple sentence, I can’t say. All I can say is it is common for me to love my writing one day and hate it right after.

  1. Those lovely words

Most writers have phases during which certain words are just so damn lovely to them. For a long time, I was a fan of the word ‘pedantic’ and much further back, I stuck the word ‘semi’ in front of everything I said to give it a hint of ambiguity. Words are, after all, an art and knowing more of those words and practicing the integration of them into sentences can really help as a writing exercise. As of late however, I am not sure what my current favorite word is.

  1. Writing alien characters

I do not mean actual space aliens, though they could fall into this category. What I mean is that it canbe very difficult to write characters who are so different from yourself. Not only do characters need personality traits, they also need motivations, a voice, values, a goal and many other assets. I personally find it very difficult to write characters who have highly different values than I have; especially if they conflict with my own. My example is Kyar; a young woman who loves the prospect of marriage and children. A prospect like that makes me shiver, at the very least.

  1. Pools of knowledge

Writers try to tap into countless pools of knowledge to try to make their stories believable. For example, my Google search history contains countless search terms about how fast someone would die from an arrow hitting certain parts of the body, whether blood can boil and whether helium can be exploded through the application of heat or fire. I also googled ‘shades of red’ or ‘shades of blue’ to see a list of those colors and an image of what that particular color was to better describe things.

  1. Despite it all, it is still an amazing thing to engage in

The tedium, the internal wars, the complications in the stories, the lack of skill and much other things do not hold me and many others back. Despite all of the difficulties, writing is such a treasure. Every creation is unique. Every writer has a voice all its own. No one can write the scenes in the same way that another person can. The hobby is popular, yet it remains so unique. Besides, if people gave up, I would not be able to lose myself in worlds beyond our own when reading books. They are humble gifts to the world.

May destiny be kind to you.

To Govern is to Set the Stage

As rings true for real life countries and kingdoms, it is also so in fictional locations. Everything needs some form of governance; be it a monarch and his entire family ruling the world, or might it be one farmer leading his farm and two stable hands. There is a form of leadership everywhere and anywhere.

I considered writing a summary of the governance I constructed for the nation of Hyron, featured in Nivitera’s Promise as the homeland for a crucial character, but I realized that such a post would become very long and drag away from the actual point at hand. So, I will leave that one for another time and for now I will feature something else.

I present to you the largest nation in the world of Arroyina and the center stage of the majority of the story; Cavant. This nation encompasses about a third of the world; including the islands surrounding the mainland. The nation, due to its size, encompasses grand varieties in landscape from mountain ranges to a desert wasteland as well as trees and meadow.

In the southern region of the country, most of the cities are located, including the grand capital of Imbirin. This city sits at the foot of a tall hill upon which stands a large castle where from the three kings of Cavant rule. Unlike the other nations in this world, the three kings stay within Imbirin at all time and rarely depart from their grand estates. Their rules and orders are carried out by other parties in their name. Only a select few are included in the inner circle of these three rulers. They are employed on the council of these lords and they too, rarely show their faces. The rule of the nation is questionable. Yet the nation prospers so the people are not concerned. As long as they are well, they do not bother their rulers.

There is a strong contrast between these three kings and the authorities of the other nations. The authority figures elsewhere present themselves to the public and rule actively and will listen to the opinions of the people; opening channels for two-way communication. Some nations employ democracy at different levels while others simply promise to rule in the name of the people when inheriting a throne and crown.

Not only am I trying to indicate that the forms of government in my world varies per country, but I am also trying to promote the importance of government. Not only does it help your worldbuilding, but it narrows the confines within which your characters can act. This may sound like a negative thing, but it makes the story thicker because there will be reasons why a character might not do certain things. An example of this is that a character might refrain from murdering someone, because murder is illegal. It can be as simple as that.

The simplicity of government can also be replaced by the complexity of government (note my statement from earlier about wishing to talk about Hyron but having it take too much space and time). The beauty of being able to create your own government is that you can make this government do anything you want. It, by itself, is an entity at a rank just below the gods. They can change anything in the nations they rule and thus that can also trigger plot twists or character reactions. I encourage you to wander into the realm of politics.

Personally, I am a semi-active person in real life politics. I joined a political party, always vote when allowed to and try to keep track of developments and major adjustments to legislation. Though this is not my reason for being interested in fictional politics as well (which I am). The reason for it is that

it is such a powerful tool for plot development. It is a powerful tool for emotions in characters. It is a powerful tool for decision-making developments. It is such a powerful tool to make your worlds flourish. It sets the stage for numerous, interesting activities. Grasp the opportunity. Install a form of government wherever you go.

May destiny be kind to you.

Writing the Rules

The judicial system, the laws of physics, the limitations of magic and other laws are all ones to consider when you write speculative fiction. Not only must you decide the laws of your own world and universe, you must ensure characters abide by them and that these characters understand them or grow to understand them. It can be an arduous process but it is a necessary one.

Decide the rules

First, you need to decide the rules. Can spaceships surpass the speed of light? Can magic be used to revive the dead? Do the molecules in the universe work the same way as on Earth?

In my own preferred genre, fantasy, the rules of magic differ per story I write. Not only are there rules for casting the magical spells or using magical items, there are also limitations that are either dependent on a person’s own strength or on the items they use or the experience they have. Decide this for your own world.

Point it out

Next, you need to point it out. Early on in your story, you need to make your audience aware of the magic in your world or the sci-fi technology that can be used. Give a brief introduction that gives the reader a reasonable understanding of what these features can do and what they can not.

Make it matter

Obviously enough, make sure the principles you put into place actually matter. Perhaps the magic faded in your current world so that other challenges exist now but then bring it back at one point so it actually matters that it ever existed. A spaceship can break but implement its existence somewhere so it still matters. This goes for every aspect of your story you decide to implement; make it matter.

Explain it; all or nothing

Personally, I am someone who will explicitly explain what a character does to summon magical powers during the start of a story. I will implement their thoughts, their emotions, their focus, their movements and even their breathing. Why? Because I want to explain the how of the magic in my world. How do people summon it? How do character use it? How do characters control it? How do characters experience it? I like to put in as much detail about this as is humanly possible.

However, that is one of two options when working with magic or speculative technologies. Either you explain everything to the best of your ability (in which case; make sure you understand it yourself through and through) or explain nothing. Yes, I am aware that there are halfway points where you could leave it at, but that is likely very unsatisfying. People are curious by nature. If you are going to explain something to them, give them all the details or they will feel like you are either holding something back or are not sure of the situation yourself.

The option where you explain nothing is also fine. Simply make the features matter and leave it at that. Drive the story forward and distract the audience by the amazing things your world’s features can do. That too is thrilling.

Choose what works for you, for your writing style and for your world.

Play with it

Now I know I have put strict rules up here, but that does not mean you can no longer be creative with it. Surprise yourself, your readers and even your characters by allowing them to implement the magic or technology in unexpected ways. Or, use it for mundane things (invisible umbrellas to ward off rain) to give the magic an overwhelming existence.

I hope this helps or inspires.

Write on, my fellow creatives!

May destiny be kind to you.

Writing About Cultures & Religion

In my current country of residence, we celebrate Sinterklaas; a children’s holiday at the end of fall that consists of gift-giving and the consumption of sweets. The origins of the holiday trace back to a patron saint of sailors. We also celebrate our ruling king or queen once a year, either on their birthday or a day that has been selected by this ruling party themselves. We also spend an evening handing out candy to children who come to our doors and sing a song and carry decorative lamps.

These holidays are but a small portion of the Dutch culture. Culinary endeavors, dress, language, religion and countless other things compose a culture or subculture. The element of a person’s or country’s culture is so exclusive, that it can be as hard to describe as a personality in itself. Culture is simply so extravagant and defining.

In creative writing, culture is also an important aspect to consider. When writing non-speculatively, it is important to understand that characters might be raised within different (sub)cultures and thus you could place them in different mindsets or even make them completely different in behavior.

In speculative fiction, the leashes are loosed on everything and thus also on culture. High fantasy especially, presents an opportunity to create complete cultures. I have encountered many works that assigned new langues to different races across the world. An example is that elves or dwarves speak different languages. Likewise so, do these races appreciate different values and worship different gods.

I myself have also placed gods in my creative world. The four parts of Nivitera rule over everything that can be seen, touched, felt and experienced. Though all are aware of these deities, not all worship them in the same way. In Hyron, to the northeast, the people have constructed large temples in every city; distinct ones for each portion of the gods. They worship them through prayer and offerings and by performing rituals of cleaning themselves within these temples; a symbol of washing clean their souls to allow divinity to enter. Though no saints or sages sit within the temples, a handful of clerics maintain the temple and offer advice and guidance when needed. Hyrians are likely the most religious. They have also adopted many expressions that include the gods or their respective domains.

In Elumia, a large nation to the west comprised of forest, the people are equally aware of their gods but their worship is otherwise. Rather than worshipping the gods directly and within structures, the people worship when and where they like. At the start of every season, the king or queen of the nation hosts a large party and allows the population to display their skills. During summer, the season of Ni, courageous activities are admired during the celebration. During autumn—the season in accordance with Vi—warriors and other champions display feats of strength. Every season follows the characteristics of the gods. Elumians worship the displays of the gods and their creation rather than the gods themselves.

In Cavant and Tearm, two countries that lay in-between the two nations, the gods are likely present. Tearm, being a small yet thriving nation keeps their worship of the gods to a minimal. The country is quite concerned with technological advances instead. Cavant, with prosperous cities and rather lacking farming communities, allows persons to worship on their own. Like Hyron, the Cavantians have adopted a handful of expressions including the gods yet have done so less exclusively. Many persons also choose not to worship at all in any way.

A grand example of a faithful person in my writing is a young lass named Mana. She hails from Hyron and from a politically respected family. Having always been within the lap of leaders and having felt the need to lead and protect others herself, her self-doubt is strong. Often-times in the story, she enters a temple of Ni to ask him for courage and guidance. Her worship compels her to do things she feels she would not do otherwise. It builds a pillar for her personality to grow around so she can make steps in the world that will change the future of the world forever.

Another example is my protagonist Syllin. She comes by grand powers due to hard training and past events that come to her, seemingly by coincidence. As a result of this and a handful of other twists and turns, she finds herself bound to Vi; the god of strength and power. Though grateful, Syllin devotes nothing of herself to the god for her aid. Instead, Syllin wields whatever greatness is thrust upon her by this goddess. In this way, she is greatly opposite to the faithful Mana.

I’d like to think this creates a good balance in the world and an interesting encounter between the two; one that will surely come as I continue writing.

May destiny be kind to you.

Being Bad at Something is Good

Over the past few years, I’ve been nurturing a child of mine. No, this is not a human child. This is a story that is as close to my heart as a child must be. I must nurture it, grow it, see it mature. I must guide it into becoming something wonderful that makes the world better. That is a bit like a child, no?

But I often told myself that I wasn’t ready yet for such a great thing. I wasn’t good enough. My vocabulary wasn’t able to captivate my imagination. My characters weren’t fleshed out enough yet. My world needed more content. I needed more experience and skill. I felt my skills weren’t good enough. My dialogues were insufficient. My ability to capture emotion in characters was short-sighted. My story didn’t make sense. I did things wrong that ‘experts’ said one should not do when writing. I simply was not good enough in so many ways.

Then comes the obvious truth however. One can not become good at such an art without trying. If one never starts writing, one will never become good. I’ve considered writing something else first, to hone my skills, but I decided that a different story would not be as close to my heart. If I do not believe in it and love it and yearn for it, then how can I write it? That is when my thoughts started changing.

There was also the thought of later. I can’t start now because I’m studying. I have enough to do for school. I can’t spend my time writing. That thought too, makes no sense. Writing is a joy (or it always was to me) so why would I not use it to diffuse the stress from studying? It would create a balance and keep me happy. It’s never too soon nor too late to start writing. Today is as good as any day.

My writing style will become more flowing as I progress. My vocabulary might not be abundant but if I use it wisely, I can make anything sound classy. Being aware of mistakes that experts point out is the first step to internalizing the correct way. So that are all these ‘not good enoughs’ truly? They are lessons to be learned from so to become better at this craft.

I know my lessons are obvious ones. Write now and not later. Write what you believe in. Write if you want to write. Write something terrible so you can become better next time. Sheer determination and desire is pulling me through at this point.

I’m sorry that this post is a bit short and a bit obvious too. There is not much structure to it either but perhaps it helps another writer regain their faith in themselves. If I can believe, then they can too. Just keep on writing, fellow humans, and also look forward to that book series that may one day come out where the author line says Tristin R. F. Worth!

May destiny be kind to you.

Tristin’s Guide to World Building

 I am definitely a prime example of someone who will create a new world for every single story. Here is a basic guide as to how I do this. I wrote this in the past since a friend requested assistance. 

Tristin’s Guide to World Building

Note: My preferred program to use is Gimp so I refer to that in this guide. The reason I often refer to using different layers is so you can also keep your map as a project file and open it in Gimp. You can then show or hide any layers you don’t need at the moment so you focus on the things that are important.


STEP 1: Rough outline

The first outline of the world I suggest to be drawn by hand. This way you can be very ‘random’ while sketching something. I find that drawing on paper makes it easier to just go with it and let my imagination work. However, if you don’t want to deal with the hassle of paper, you can draw in a program like Gimp too.

1a. If you have a rough idea of how your world should look, you can go with that.

1b. If you are going for a ‘new’ world, just use your imagination and don’t worry too much about the finer details of the map.

My method is often to draw lines that move in random patterns. Sometimes I come up with maps that look unnatural. In this case it is fine to simply try again.

I usually start with only the outline of the world but you are free to add country borders if that’s something you want on your first draft. You can always remove them during the next step.

STEP 2: Digital outline

Next up you need to make your work digital, if you did not digitally draw the rough outline of your map. I do this by scanning my picture with my printer and then transferring it onto my computer. If you drew digitally, you are good to go already.

Basic outline.png

2a. Create a canvas that you would like to use to put your world on. I suggest you don’t underestimate this. I tend to go for 1500 x 2000 pixels (height x width). Depending on whether or not you want a grid function or not, you will need to adjust the pixels so everything works out correctly.

Note: Be sure to set the grid as a new layer. Use a transparent layer to put your canvas on.

Grids can help you define distance in the story. It can help you find out how long characters need to travel.


I want to use a canvas that is 1500 x 2000 pixels, but I also want to set a grid onto this. Suppose every square in this grid would be 100 x 100 pixels; which means the grid could have 15 x 20 squares. I tend to set my grid outlining to 1 x 1 pixel; meaning the squares on the grid are divided by 1 pixel of black line. This requires a little math. See below.

1500 x 2000 pixels for the canvas
I want to have 15 x 20 squares
One square is 101 x 101 pixels (100 pixels + 1 pixel for the grid)

To complete our grid, we also need to take into account the most outer edges so we add 1 pixel to the eventual equation.

Our actual canvas size would have to be adjusted to;

Height; 1516 (15 x 101 + 1 for the last edges) pixels
Width; 2021 (20 x 101 + 1 for the last edges) pixels

If you want a grid that includes numbers at the top and sides, add one square into the calculations.

(Yes, world building is for smart people.)

2b. Next you need to trace the physical drawing you made. Use a drawing tool like a brush and set it to a solid circle. I tend to use a thicker outline for the world and a thinner outline for the borders of my countries. It is okay if you trace this world onto a white background. For other features however, I suggest using a transparent layer. Sometimes I put the outline of the country borders on a different layer than my world outline. But that’s up to the creator.

2c. Copy and paste your world outline onto the background of the grid canvas (in case you are using one). You can drag the picture around till you are satisfied with where it sits. Anchor it there. The outline of the world will be the basis for everything else you put overtop it, so make sure it’s at the very back of your file.

STEP 3: Landscape

Next you need to decide what the landscape looks like. You can select all white areas with the select tools so you can properly color them. It is fine if you want to color the world outline. I sometimes do that too. It can work just fine that way.


3a. Set well distinguished colors. Blue for water, yellow for sand, red for canyon, lime for grass, green for forest and so on. If needed, you can use an extra canvas to write down what every color means so you can properly keep track of everything.


Colors that I like to use

  • Blue = water
  • Light green = grass
  • Dark green = forest
  • Yellow/beige = sand
  • Red/maroon = canyon rock
  • Grey = mountain rock
  • Light grey = snow area
  • Teal (a light shade of blue) = healing water

STEP 4: Locations

So your characters have places to go, you should name places in your world. You can name regions (a forest, a mountain range), the countries and cities/towns. I suggest using a different (transparent) layer for each of these.

By placing text on a transparent layer, you can erase just that name if you want to rename a place.


4a. Regions are the easiest to name since they tend to be big chunks. You can use a font, size and color that are easy to read on the canvas colors as well as a font size that fits well on the places. I tend to pick something that is not too big so I can actually fit the names even on smaller regions.

4b. With country names, I’d go for something of a reasonable size; something that stands out but does not occupy the entire country space when placed so you can still look around the word to see the place it belongs to.

4c. For cities and such, I tend to place down dots. I pick a color I have not used before (purple or pink) to make the dots to indicate the size of the cities. The biggest dot in every country is the capital city. Medium sized dots are other cities and small dots are towns/villages. What I do with the size of the names;

  • Capital gets big letters; but smaller than the region names.
  • Cities get reasonable sizes
  • Towns/villages get small sizes

There’s usually no more than a 10-5 pixel difference between the sizes. Don’t be afraid to make things too small. If you have a large canvas, that is just fine. Remember, if you need it during writing, you can always zoom in to see what it says.

4d. If you have special locations on your map, you can draw a significant symbol (a star, a triangle, etc.) to indicate where it is and add a name to it in the same way.

You can add lines between locations to indicate roads.

STEP 5: Decide astronomy

This might not seem important but it can make a significant difference in your world. If you wish to follow the same system as the Earth follows, that is perfectly fine. I tend to change things up often.

5a. The first interesting aspect is to decide the pattern of a year. Indicate how many days the year has, how many each month has (if you have months), the lengths of weeks and also the length of seasons.

5b. Decide the heavenly bodies next. There is a likelihood that the world has a star it orbits. However some planets also have moons or even rings. These are things to consider since they can add to the atmosphere within your world. The weather is also interesting to consider.


Sometimes I add weather to maps. Use a transparent layer and color it with transparent colors to indicate where it tends to rain, where it is warmer and where snow is prominent.


Here is a suggestion for the colors to use:

  • Red = high temperatures
  • Orange = heat waves
  • Yellow = often sunny
  • Green = neutral, pleasant temperatures
  • Blue = cool temperatures
  • Purple = often rains
  • Grey = often cloudy/misty
  • White = often snow

You can adjust the brightness of the colors or the amount of transparency to indicate how common this weather is. If you really want to go to such lengths, you can even make separate weather patterns for the different seasons.

STEP 6: Create physics

This step is mostly a step about imagining and potentially writing. If your story takes place in a magical world, you need to refer to the rules that are involved in this world.


Example 1: Magic power is only inherited. It can not be learned.
Example 2: People can only use as much magic as their own energy will permit.
Example 3: Magical abilities can be learned only through sacred processes.

Besides that, you need to decide what physics are at play. In most novels I read, the physics resemble those we experience on Earth. Many sci-fi novels choose to either exaggerated these physics or add to them. Traveling at the speed of light is a prime example.

It is also interesting to decide what is significant in your world. This can be special locations, special creatures or special roles that people earn or are born with. You need to decide what influence this has on your world.

An example could be a special plant that is very rare but grants certain advantages to whomever has the plant.


STEP 1: Create civilizations

A story can not thrive without characters. It is essential to make yourself understand what cultures exist in your world before you attempt to persuade readers of the awesomeness of your world.

1a. Start by outlining which countries or regions exist and if there are people that live there. Describe if there are many people and what race they are. You can add that they speak their own language or have a particular religion.

1b. What really makes societies unique is their customs. For each community, make a brief description of what are important ceremonies or holidays to them. Write about how relationships are handled within the community. Mention small gestures that are native to the community (greetings, expressions of respect, expressions of love, etc.).

1c. Establishing connections between communities and countries is important. It can often influence the plot heavily. Describe how each is governed and what their view of other countries is.

The level of detail you decide to use is completely up to you however a basic understanding of the local cultures will help you remember them and integrate them.

STEP 2: Create wildlife

It would make sense that beyond city walls, there are other living creatures that inhabit the wild. As miniscule a role as they might play in your story, it is still interesting to establish what animals and plants exist.

2a. Describe what (types of) animals inhabit the world. What creatures live where? Are they friendly to the people? Are the intelligent? What role do they play, if any? Perhaps the only role that you desire is birds that can be written about as singing their songs in the morning. That is fine.

2b. Integrate plants into your story. If you are not eager to make up your own plants, then resume as you wish. It might be interesting to understand what lives where. This requires some research. If that is not your cup of tea, then attempt to create your own.


Below is an example of three significant plants growing in one kingdom.

The kingdom is known for several medicinal herbs that are native to it. One is a small red flower (Aniya flower) used to lessen headaches. It is a small plant that grows on the trunks of trees and is thusly found in the forests to the east.

The other is a plant with feather shaped leaves (Dragon Pigmy) that are quite long and thin. The leaves hang outwards and get smaller as they reach the top of the plant. Because the leaves are so long and heavy, the stem of the plant is quite sturdy. It grows in moist areas. It is commonly found in swamp-like locations near the southern shore of Sandöhr. Both the leaves and the root of the Dragon Pigmy plant are used in combination with other herbs to form medicinal healing powders used for speeding up the healing of wounds. It is also commonly used to cure nausea or internal pain. The root of the plant is often cooked and consumed by people due to its healthy factors. Its leaves are used in salads. They are high in iron. The seeds of this plant are hard but are often used to brew tea because the outer core of the seed will dissolve in boiling water. The Dragon Pigmy earned its name due to the leaves of this plant closely resembling the wings of some species of Pigmy dragons.

Besides the Aniya and the Dragon Pigmy, the kingdom is famous for its tropical fruit. This fruit, called a Learan, grows on a fairly short tree in the far south of the kingdom. The Learan tree has a short trunk. This tree grows in a spire-like fashion; the base of it is very wide while the apex is narrow. This causes the tree to look like an enormous thorn. Such an exterior is emphasized by a lack of branches. The tree trunk is covered with round leaves that grow upwards along the tree trunk and seem to cover the tree in scales. The fruit that this tree grows is hidden among its coat of round leaves. The fruit has a cone-shape with a rounded base. The fruit grows taller and longer as it ripens and grows towards the sun. The fruit, at its earliest stages, is a green color equal to the color of the tree’s leaves. At this stage, the fruit is poisonous and the acid from it could cause tissue damage in the body. As the fruit ripens, its color transitions to blue before turning violet. When the fruit has turned blue, the poisonous fluids within have been transformed into sugars. Fruits from this tree are harvested during summer. They are picked when they are a shade of indigo. Learan fruit tastes rather sweet. Its outer core is a thick layer of flexible skin. Within this layer lays soft matter and a lot of liquid. This fruit is high in vitamins and is often used to create fruit juices or wine. In some instances, the fruit is converted into a paste-like substance to be eaten on bread. This fruit is popular even among young children due to the sweetness of it. Besides the fruit this tree provides, the Learan tree is often harvested for its sturdy wood. Learan wood has the benefit of being flexible and resistant to moisture. However, due to the rarity of these trees (they only grow in the south of Sandöhr) the expenses paid for a stack of wood are high.

STEP 3: Describe locations

Many locations become more interesting if you think about how they look or are organized. This makes describing them later on more fun too. It will also hold a stronger identity.

5a. Sketch or describe the way major cities are structured. Consider if the city has walls and if so what they are made of. If there is a castle or fortress, decide the characters for this as well. Decide if the streets are wide or narrow, if roofs are straw or wood. Decide if the roads are paved or if it is simply covered in sand. Perhaps there are cathedrals, academies, libraries or other noteworthy locations. Choose a location in the city for them and give them their own personal exterior.

It can be difficult to decide different identities for everything but this will make it more distinguished and intriguing to have characters visit them. They will have certain touches that set them apart. If you write about their exterior, it will also become easier to visualize them and thus write about them.

STEP 4: Final touches

Though the world is fairly complete now, it remains to be said that many writers like to add specific touches to their world. This is the point at which you can add all the unique aspects that you deem important. Something that I am prone to doing is noting certain aspects about certain areas. An example is that a road in one of my stories was made of a very interesting material. These are things I will record.

Good luck on your world building. 

May destiny be kind to you.